Welcome Aboard

As a part of our 10 Year Celebration, we will be bringing in some new collaborators. To kick off the new year, we are excited to be joined by some truly fantastic people.

Please join us in welcoming them...

ZACK CALHOON (Update Contributor) graduated from NYU’s Tisch School of the Arts with a BFA in acting. He has worked as an actor with companies all over New York City. Playwriting credits: Friday at Jimmy’s (Rising Phoenix Rep commission), Blanquita (2014 Semi-Finalist for the O’Neill Playwrights Conference), The Weird Sisters (East 3rd Productions, Orlando Shakespeare Theater’s PlayFest), Breaking Ranks (New Mummer Group), Marlowe, P.I. (Dreamscape), Violence in the Air (Stageworks/Hudson), Mamet Yoga (Atlantic Alumni Workshop), RINO (Resonance Ensemble Play commission, produced in 2012 Brick Theatre Democracy Festival), and Paint (2012 Semi-Finalist for the O’Neill Playwrights Conference, Winner of the 2010 Georgia Theatre Conference New Play Award) . His plays have been performed and developed by the Naked Angels, Rising Phoenix Rep, Orlando Shakespeare Theater, Boomerang Theatre Co., East 3rd Productions, Living Image Arts, Flux Theatre Ensemble, Oberon Theatre Ensemble, New Mummer Group, On the Square Productions, and Dreamscape Theatre. He wrote two episodes for the second season of the award-winning web series, Then We Got HELP! (www.thenwegothelp.com) and is the editor of the theatre blog Visible Soul. He is an Eagle Scout and a member of the Dramatists Guild and the Writers Guild of America East.

SARAH LAHUE (Judge Wrangler) moved to NYC from upstate New York in the summer of 2013 and was lucky enough to start working in the Off-Off-Broadway community shortly thereafter. She's stage managed shows for Boomerang Theatre Company, Retro Productions, and The Secret Theater, as well as regionally for Albany Civic Theater in her hometown Albany, NY. She holds an MA in Literature from The College of Saint Rose and a BA in English from Hofstra University, both of which she looks forward to not using as she pursues a full time career in theater.

BILL McMAHON (Update Contributor) Bill's Cover is currently in development for an Off-Broadway production.  Random was named a finalist for the 2008 Mildred and Albert Panowski Playwriting Award. Missing the 4:55 was named a winner in the 2005 Slippery Rock University One-Act Play Contest. (Parantheticals), a collection of his one-acts that includes Missing the 4:55, received an Honorable Mention for the 2003 Eric Bentley New Play Competition. Bill was also the winner of the Paul Green Playwrights Prize for his full-length play A Winter Beauty, produced by Emerging Artists Theatre Blind Corner, a finalist for the Julie Harris Playwriting Award, was also a semi-finalist for the O'Neill Conference 2002, as well as a semi-finalist for the Dramarama Competition. Bill’s current projects include his three-act epic play World Of Tomorrow, based on the life and work of Robert Moses and his battles with Jane Jacobs, as well as a screenplay adaptation for Hudson Film Group. 

HELENE MONTAGNA (Update Contributor) is a playwright living in New York City.  She has studied playwriting at ESPA (formerly Primary Stages) and at Labyrinth Theater (as a member of their Master Class) and with playwright and poet Dan O'Brien. Her work has been produced at the Kraine Theater, Manhattan Rep and at Roy Arias studios (with John Chatterton).  Helene's work is also produced regionally in Staten Island, her most recent effort being Don't Hang Up, for which she was the recipient of the Staten Island Arts Premier Grant in 2013. She has also been around backstage in theatre for as long as she can remember.  Helene has served in just about every technical aspect of theatre there is... from stage crew to stage managing to sound design.

BETTINA KATIE WARSHAW (Blog Curator) is a writer, performer, manager and collaborator. She has been involved with the Off-Off-Broadway community since 2011, working with the IT Awards, New York Neo-Futurists and FringeNYC. She believes a day without a dance party is a day wasted.

Celebrating 10 Years of Celebrating OOB

We can hardly believe it, but the Innovative Theatre Foundation is turning 10 years old this year. The organization launched on Summer Solstice (May 21st) 2004. It has been an incredible decade. We have had the opportunity to meet some of the pioneers of Indie Theatre, some of the most influential artists of their time, who ignited in us a desire to become artists ourselves. We are humbled to be a part of one of the most active and inspirational arts communities in the world, filled with the some of most fascinating and talented artists working today. We are lucky to work along side some of the most dedicated and brilliant people that we know. We are blessed to witness the work of the brave innovators and unparallelled theatre creators who are defining new American theatre every day. And we are honored to be able to celebrate this incredible and awesome community.

Document Your 2012-2013 Productions

Hello Off-Off-Broadway Producers and Companies!

Shay Gines here on behalf of Theatre World.  I hope you had a fantastic and very productive 2012-2013 season. I want to document and archive your theatrical activities from this last year.

For the last 69 years, Theatre World has been documenting Broadway and Off-Broadway productions and has become the leading archivist of information for American Theatre. (There is more information about Theatre World at the end of this email.) In 2009 they began to include Off-Off-Broadway.

The editors of Theatre World recognized the legitimacy of our community and felt that it deserved a place in this archive.

It is so important that our community is represented in this important work. It helps to bring to light the importance of this sector and demonstrates, the number of productions, the variety, the innovation and the determination of the work being created in our community. 

 I need your help.

 1. Please complete the online forms documenting your company's season (see below)

 2. Please forward this to your fellow OOB producers and ask them to do the same.

What I need is your production information from the 2012-2013 season (shows that played between June 1, 2012 and May 31, 2013), for inclusion in Volume 69, including individual production information as well as festivals, readings, workshops, etc.

I know as an OOB producer your time is valuable, but the annual Theatre World publications are one of the premiere archives for American Theatre and it is so important for our community to be represented. I ask you to take this time to provide the information requested, so that your company's production(s) will be recorded and referenced everywhere by theatre scholars, students, casting directors, producers, and other industry professionals daily. In addition, it will be a part of the permanent record of Off-Off-Broadway and placed in important research and reference libraries from The Library of Congress to most colleges and universities across the country.

Here’s the link to the form: http://goo.gl/QfNdxB

NOTES ON SUBMISSIONS:

1. Photos of your productions: If you would like to submit one or two production photographs (in the form of a .JPG or .TIFF file), you may do so, as long as the pixel width is at least 1,050 pixels wide or wider and 300dpi. If you are unsure of the photo dimensions, look under “File Info” when viewing the photo in Preview or PhotoShop. We cannot make enlargement adjustments to photos. (please be aware that if it is not large enough, we will not be able to include it in the publication).
   
   It is very important when you submit photographs that you provide:
      -  photographer credit
      -  performer credits for all actors in the photograph.  (If there are five or more performers pictured, you may choose to simply list "The Company" as the performers’ credit.)
      - If no photographer credit is listed, then it will be assumed that no photographer credit is required.
   
   Please note that due to page limitations from our publisher we regretfully have a limited numbers of photos that we can use in the Off-Off-Broadway section, and can not include all photographs submitted from every company. As there are listings for over 1,000 shows, the primary focus of the section is to feature as many listings as possible. It should be more of a priority to complete the online forms rather than hold it while you wait on retrieval of photographs from other sources. EMAIL Photos (.JPG, and/or .TIFF FILES) with the title of the production in the subject line or questions to:  TWOffOff@gmail.com
2. Rental Space & Production Company: If you are a rental space only and not a production company, we would appreciate if you could forward this email to the companies that rented your facility, or look through your records of rentals between June 1, 2012 and May 31, 2013, and if you do have the time and the resources complete the form for shows that were performed in your space during that time. 
3. Off-Broadway: If any of your productions were actually under an Off-Broadway contract, please email that information separately to twoffoff@gmail.com and I'll forward that it on appropriately. For the purposes of this e-mail, I am currently just asking for the Off-Off-Broadway information. If the production extended under an Off-Broadway contract, please note in the text.

PLEASE SUBMIT ALL MATERIALS BY NOVEMBER 15, 2013 TO ENSURE INCLUSION IN THE 2012-2013 EDITION OF THEATRE WORLD!

Our publisher is making every effort to release this volume early in 2014, so we need to get your submissions as soon as possible. Since we are under a tight schedule, it is virtually impossible for our staff to research and compile all of the Off-Off-Broadway listings for this volume and we are relying on your help to make sure we include as many productions as possible.

Theatre World is the oldest pictorial and statistical record of the American theatre, published annually as a hardcover book by Applause Theatre & Cinema Books (America's foremost publisher of theatre and cinema books) and has been continually published since 1945. It is the most comprehensive and definitive record of Broadway, Off-Broadway, regional theatre, and Off-Off-Broadway (which is where you come in), and is available for purchase at many fine online establishments, including applausepub.com, amazon.com , or barnesandnoble.com.

Thank you for your cooperation in helping us to maintain the most complete annual record of the American theatre!

Please let me know if you have any questions.

Thanks again.

Shay Gines

OOB Editor Theatre World v69

Should I Do This?

Everyone working Off-Off-Broadway is incredibly busy and wears numerous hats. And from time-to-time you may be presented or offered a project or an assignment or an extra job or duty or invitation and you ask yourself, "Should I do this?"

One of my mentors, Dr. Irwin Redlener, is an incredibly busy person and like us will often find himself juggling many different things. To help him decide whether or not to take on additional projects, he wrote up some guidelines.

I personally find this useful and thought I'd share it.

SHOULD I DO THIS?

 (Redlener's Guidelines)

1. Does it help somebody with something really important?
2. Does it make the world better?
3. Does it help my short or long-term personal goals?
4. Am I convinced that it won't be more trouble than it's worth?
5. Is it worth replacing something I'm already doing?
6. Will people I care about, care about it?
7. Is it simply incredibly interesting or satisfying?

Buttressed Like a Mutha

Contributed by Chisa B. Hutchinson


The thing I love about Off-Off-Broadway--did I put enough off's?-- is how real and generous the love is.  People sure ain't in it for the money.  I'm in the middle of self-producing an Off-Off...-Off-Broadway piece right now.  Maaaaaan, we had our first production meeting and I came in feeling all nervous and apologetic because I can't pay my collaborators anywhere near what they deserve--like it's embarrassing how little-- but when we started talking next steps and potential challenges, all of that fell away.  Apparently, they weren't thinking about stipends; they were more concerned with how we can put a streetlight on stage with relatively low clearance and whether or not the ventilation system in the space is good enough to handle all the spray paint we have to use during the show.  They just want to figure out how to make stuff happen.  And they have ideas about how they can do that because they're creative and innovative and they've actually spent time thinking about it.

I left that meeting feeling completely reinforced and determined to do whatever I can do to earn the loyalty and support that I'm getting.  So yeah.  Off-off.  It's a house of cards, but it's buttressed like a mutha.

www.chisahutchinson.com

Honorary Awards Applications Now Available Online

Honorary Awards Applications
Now Available Online

Applications are due Monday, May 1, 2013 @ 6PM 

The Honorary Awards are:

• The Artistic Achievement Award, presented to an individual who has made a significant artistic contribution to the Off-Off-Broadway community;
• The Caffe Cino Fellowship Award, presented to an Off-Off-Broadway theatre company that consistently produces outstanding work. This award also includes a grant to be used toward an Off-Off-Broadway production.
• The Ellen Stewart Award, presented to an individual or organization demonstrating a significant contribution to the Off-Off-Broadway community through service, support and leadership.

Complete your application today!


The 2012 recipients were The 5 Lesbian Brothers (Artistic Achievement Award), Theatre Development Fund (Ellen Stewart Award) and Astoria Performing Arts Center (Caffe Cino Fellowship Award). Find out more about these amazing artists and organizations.