Showing posts with label cabaret. Show all posts
Showing posts with label cabaret. Show all posts

Thursday, August 10, 2017

Dandy Darkly’s Myth Mouth!

Written, Performed, & Produced by Dandy Darkly

Nominations: Outstanding Performance Art Production; Outstanding Solo Performance, Dandy Darkly; Outstanding Original Music: Rachel Blumberg, Dandy Darkly, Bryce Edwards, Adam Tendler

 
About the Company: Dandy Darkly is a critically acclaimed, alt-cabaret satirist and storyteller. His work skewers traditional Southern gothic storytelling with a decidedly non-traditional style. His exquisite corpse of eccentric recitations examine the timeless themes of sex and death, how the two mingle together -- origin and ending, creation and destruction -- and, in particular, how these themes informed Dandy, and a generation of queer people, who came of sexual age during the AIDS epidemic. Dandy further focuses each solo show he crafts on a selection of secondary themes that allow the storyteller to compare and contrast additional elements through his gloriously ghoulish, surprisingly poignant, allegorical tales. 

About the Production: Dandy Darkly's Myth Mouth! is a spoken word show that begins and ends with the tale of Cha-Cha the Caveman, humanity's premier popinjay and a drug addled con artist ultimately corrupted by his own fame. Along the way there's tales of Persephone, the goddess of Spring cast as a woke party princess, Laika the Russian Cosmopup who is Mankind's only defense against a fleet of Martian space cats and the harrowing tale of Professor Gif Jeffries, a virtual reality addict who travels the darkest corners of the web in search of virtual love. 



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What first attracted you to this project?

Dandy: Whereas past shows have focused on more specific subject matter (for example, 2015's Dandy Darkly's Trigger Happy! examined gun violence and emotional triggering) with Dandy Darkly's Myth Mouth! I wanted to broaden my scope and examine storytelling itself -- mythology, tall tales and the very nature of belief. I've long been obsessed with myth, in particular Greek myth and the academic writings of Joseph Campbell on the subject. This show represents my most personal work to date as I also explored many of my own personal vices (sex, drugs and rock and roll) by considering the similarities of chemical highs and religious ecstasy. Faith can be as addictive as any intoxicant. Finally, I was most excited to explore the very nature of creativity itself and to consider our cherished pantheon of queer artists as pop culture gods and goddesses who resonate and inspire long after they've left the mortal world.

Bryce: I love making soundtrack music and I love working with Dandy Darkly because I think he's brilliant.

What was your favorite part of working on this production?

Dandy: My most favorite part of the process is undoubtedly the writing of the stories. At the heart of any Dandy Darkly show are the words -- the rapid fire alliteration, breathless run on sentences and poetic profanity are the hallmark of every show I produce and easily the aspect I'm most proud of.

Bryce: The collaboration aspect. I love hearing the words and being challenged to come up with sounds and leitmotifs that work within the context of the show.

What was the most challenging
part of working on this production?
Bryce: The main challenge was working within the confines of structure of the pieces. The time restraints inherent in scoring a 55 minute show.

What did you want the audience to take away from their experience with Dandy Darkly's Myth Mouth!?

Dandy: The highest compliment ever paid following a Dandy Darkly show is when an audience member approaches me and offers, "I had no idea that's what you do!" Too often the image of a leering drag clown understandably sets an expectation of what's to be seen, but the poetry and power of the storytelling really amazes those who see my work. I want audience members to leave Dandy Darkly's Myth Mouth! with a desire to set expectations aside and simply see art to experience the absolutely unexpected.

What is one of the most noteworthy aspects of this production?

Dandy: Past shows have often been written in response to current events, but funny enough, one of the tales in Dandy Darkly's Myth Mouth! has become more and more relevant as revelations of our President's possible collusion with Russia are revealed. "True Story" focuses on Laika, the first dog in space, and her actual mission as a combat space puppy sent to stave off a hoard of marauding Martian cats. The story examines faith and the power of indoctrination, but also skews Cold War era Russian/American relations, fake news and believing in something despite factual evidence to the contrary. It has proved resoundingly popular the more we learn about the 2016 election.

What is it like working with the nominees of Dandy Darkly's Myth Mouth!?

Dandy: It's been my honor to collaborate with three astounding musicians, Adam Tendler, Rachel Blumberg and Bryce Edwards, for Dandy Darkly's past four shows. While the words I write initially inform the sound we improvise together, its the music that eventually becomes the backbone of the piece, allowing me freedom to pace the tales and uncover unexpected moments in which to play with the text. They are world class, professional musicians in their own right and the generosity of their talent and eagerness to collaborate with whatever project Dandy's working on, year after year, really blows me away.

Bryce: Dandy Darkly is brilliant!

Rachel: I am always delighted to work along side these wonderfully talented folks!

Make sure to follow Dandy Darkly on Twitter & Instagram @dandydarkly



Saturday, April 2, 2016

Oversharing is Caring

By Mel DeLancey

My whole life I had been a singer. I took my first voice lesson at 9, went on to study music in college and until I was 24 every spare moment was spent singing, studying singing, talking about singing, or listening to Broadway cast recordings. I never envisioned a world where music wasn’t THE MOST IMPORTANT THING. Then at age 24 I met my ex-husband, and I stopped singing. Completely. I was in love and making money, and I don’t remember what else happened for the next 9 years but it wasn’t music. So divorced at age 33, I decided to reclaim my showtunes. I reconnected with my college voice teacher, and I enrolled in a cabaret class at the Y. This is where I started to develop a technique in “personal storytelling” which completely changed the singing game for me. It was a beginner class and, for the final performance, we got to sing 3 songs, and the teacher requested we do a little bit of “patter” before one song. “Patter” in cabaret is basically dialogue before a song to add context. One of my songs was “How Did We Come to This?” From the Andrew Lippa Wild Party. It’s a lush ballad that has a vocally dramatic arc that’s perfect for a belty-mixer like myself. With this song, I took on the “patter” assignment and ended up writing a whole monologue about the “wild party” I was having while owning the bar, and how, with my frosty beer goggles on, I was missing the signs of a marriage falling apart. I’m gonna pat myself on the back here and say: I took “patter” to the next level. But the coolest part was that after telling my personal story, singing the song was a completely different experience. I’d “made it my own,” and I turned the song into something the audience had never seen before and could never see again. After all the years of acting teachers preaching “make it your own,” I finally heard them! I found “my own”… and I started doing it with every song I sang… and wrote a one woman show called Tinder Roulette… and now I don’t ever want to stop telling stories with my showtunes.

My current project is The Over Share Cabaret, a Broadway variety show of my own invention. It takes place at 13th Street Repertory, which is not your usual cabaret venue. Cabaret is often defined by where it takes place: a nightclub where people can eat, drink, and dance. The acts are not just entertainment but ambiance. 13th Street Rep is in fact a standard theater, a cozy, 65-seat space with a rickety piano and a quaint wine barrel bar area in the lobby. Alcohol is of course an essential ingredient to a performance where the emcee talks openly about her sex life in between Rodgers & Hammerstein standards. I wanted to have this show at the Rep because it’s in the heart of Greenwich Village where I’ve lived for 20 years, the coolest place on Earth. For me, the “vibe” of the whole night is just as important as the show itself. I’m working hard at creating that vibe as I build the audience, company and structure of Over Share Cabaret. Right now, the show is a combination of musical theater tribute, sketch comedy and personal storytelling.


Thinking ahead for Over Share and myself as an artist:
  1.  Keep singing my heart out, because physically, it feels as good as sex
  2.  Showcase and collaborate with my talented friends, because masturbation is so   two-dimensional
  3.  Find an audience who loves talking about sex and showtunes half as much as I do

I’ve been a wild child in Manhattan since 1996 and love sharing my adventures on stage. And I love my showtunes. I may never get to do that production of Guys & Dolls where I play all 4 leads at once like I do in my fantasy, but I can sing “Adelaide’s Lament” and make it relevant 78 years later by telling a story about a recent STD scare I had... which you only know isn’t true because, of course, I’m a virgin.


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Mel DeLancey is a cabaret singer and musical theater enthusiast living in Manhattan. She is the creator of The Over Share Cabaret, a new variety show and performance party at 13th Street Repertory. She's returning to 13th Street after her success there with Tinder Roulette, her autobiographical musical revue about her unconventional childhood, eccentric failed marriage and internet dating experiences. Mel has been an actress of the New York Indie Theater scene for the last 16 years, including 5 years as a founding member of the sketch comedy group, Slightly Known People, where she first got to flex her writing muscles. She is a member of the Dysfunctional Theater Collective and looks forward to bringing her original program I Heart Showtunes back to Governor's Island this summer as part of the artist residency program. In addition to her work in the arts, Mel is the founder of Joyful Fitness, her personal training company.

IG:@melercise

www.sexloveandshowtunes.com