Tax credit to benefit Off-Off Broadway

On the morning of January 21st, members of arts, cultural and theatre tasks forces from Manhattan Community Boards (CB) gathered at Manhattan Borough President Scott Stringer’s office to present a proposal that is currently being considered by the CBs that would help financially pressed Off-Off-Broadway theatres.

This demonstration was in response to a challenge that President Stringer made in February of 2009 at a joint public forum on the state of small to mid-sized theatres in NYC that was hosted by Community Boards 1 – 5. “Hold us [elected officials] to a higher standard” he said, “give us a roadmap to the products you expect.” The Community Boards took this challenge to heart.

Committees were mobilized in an effort to find “innovative solutions to remedy the current fiscal and real estate crises that are endangering… theatres and other performing arts organizations throughout New York City.” Over the last year hundreds of emails have been sent and dozens of roundtables and meetings were held to gather information and prioritize the needs of the independent theatre community. At the top of the list was affordable rehearsal and performance space...READ THE FULL STORY

Good News! CB3 Arts Task Force Resolution Passed Unanimously March 24th

A resolution composed by the Community Board Arts Task Force that was the result of the CB 1-5 Public Forum on small theatre in NYC & a March 10 Arts Task Force meeting, passed unanimously last evening by Community Board 3, paving the way for other Community Boards to use this language to adopt similar resolutions.

The community board can now bring the resolution to elected officials, requesting further support:

WHEREAS: Arts and Entertainment is one of the largest industries in New York City with the economic impact of non-profit estimated to be $5.8 Billion and 40,460 jobs (NY Alliance for the Arts, 2005);

WHEREAS: Small to mid sized theaters and other arts organizations are an integral part of the Arts & Entertainment industry: A) as an entry point for actors, playwrights, and other artists, B) for the expression and exploration of the diverse culture of New York City communities, C) sites of creativity, experimentation and innovation, D) jobs;

WHEREAS: Small to mid sized theaters and other arts venues are a closely tied to their local neighborhood small businesses, for instance one theater in CB3 had 70 restaurants contribute food to a recent festival;

WHEREAS: Small to mid sized theaters and other arts venues are economic drivers of local neighborhoods, and are a crucial to the cultural and economic resilience and diversity of our neighborhoods;

WHEREAS: A cyclical economic downturn is the TIME TO INVEST in our neighborhood economic drivers and NOT TO DISINVEST in local economic drivers;

WHEREAS: The proposed disinvestment by the City and the State in community based arts may have an adverse multiplier effect on the small businesses and neighborhoods that they are based;

WHEREAS: Foundation funding and government funding are down by 20-40 percent, yet small to mid sized theaters and other non profit arts venues have fixed real estate costs;

WHEREAS: Government funders recommendations to small to mid sized theaters and other arts organizations to cut back on programming in this time of crisis will not work, as programming constituted the revenue for fixed costs and employment;

WHEREAS: CB3 has been a historic incubator and concentration of Off Off Broadway theaters and has lost much of its small theaters in the late 90s and other performing arts venues in the last decade due to real estate competition and speculation, resulting in spaces constructed for performance to be repurposed and irretrievably lost;

WHEREAS: Areas (CB2, CB4, CB5) surrounding CB3 have recently lost 25-30 percent of their small to mid sized theaters in the last five years predominantly due to real estate competition (New York Theatre Innovative Theatre Awards study, Dec 08);

WHEREAS: CB3 remains an important viable center for theater and performing arts;

WHEREAS: There exists innovative policies (land use, tax, public buildings) to sustain and retain theater and other performance venues that other cities and states have successfully used;

WHEREAS: The New York State Assembly member O’Donnell, and NYC Council member Alan Gerson’s office are proposing bills to create a property tax abatement for commercial landlords that rent to non-profit cultural groups;

WHEREAS: CB3 Art Task Force Town Halls, and the recent joint Community Board Forum on small to mid sized theaters have been well attended with extensive expert and public testimony on the loss of theater and arts venues, the importance of theater and arts venues for local communities, and the severe financial crisis hitting small to mid sized theater.

THEREFORE IT BE RESOLVED: CB3 calls on its elected officials to acknowledge small to mid sized theaters and other arts organizations to be crucial to the cultural and economic resilience and diversity of our neighborhoods, to recognize the arts as economic drivers and integral to local small neighborhood businesses;

THEREFORE IT BE FURTHER RESOLVED: CB3 call on its elected officials to develop and adopt land use , tax and other governmental incentives and policies to retain and secure theater and other arts and cultural venue spaces and to retain arts and cultural organizations in our district and the City of New York.

THEREFORE IT BE FURTHER RESOLVED: CB3 calls on its elected officials, and the Governor, to act in order to restore the 100 percent funding cut from remaining funds of the New York State Council of the Arts (NYSCA) for Fiscal Year 2009, to restore NYSCA funding to sustainable levels in Fiscal Year 2010, and not to discriminate against small to mid-sized theaters and arts organizations.

THEREFORE IT BE FURTHER RESOLVED: CB3 calls on its elected representatives of Congress to include small to mid-sized theaters and other arts organizations in job retention and economic stimulus funding, and not to discriminate against the arts and non-profits in urban stabilization, job retention, and other funding and policies assisting other small businesses.

THANK YOU to all who have attended meetings leading up to these events! It's because of our community that our voices were heard loud and clear through these otherwise distracting and difficult times. And THANK YOU to Shay Gines, John Clancy, Paul Nagel and Tamara Greenfield, who all spoke last night in support of CB3's Arts Task Force's recommendations

The next CB3 Arts Task Force Meeting will be April 7th; stay tuned for more information.

Thoughts on Presidential plans for the Arts, contributed by Shay

Presidential Plans for the Arts

President Barack Obama is the first-ever president to enter office with a platform and plan for the arts. His website claims that he "uniquely appreciates the role and value of creative expression." This is an exciting change for the arts. His eight-point plan includes a promise to set an example on how to appreciate the arts, more money for the arts and his "arts corps" and agenda to "expand public/private partnerships between schools and arts organizations" resonates his overall theme of service. All of this bodes well for the Off-Off-Broadway community.

However even more than a general awareness and appreciation of the arts, there are two points in his plan that I think will have the largest and most direct impact on our community.

Provide Health Care to Artists: Finding affordable healthcare for independent artists who don't always have a regular employer/regular employment has not always been easy. Anyone paying attention to the campaign knows that President Obama's plan is to create and make available a subsidy healthcare plan similar to the one that Federal employees now have. Will this make it possible for many OOB artists to spend more time working on their art and less time chained to a "day job?"

Ensure Tax Fairness for Artists: This is the one I find really interesting. This will allow artists to deduct (at fair market value) hours of time volunteered from their taxes...... This may mean a whole new game for OOB. How will Equity codes be affected by this? A very interesting proposal.

What are your thoughts?

Go here to see the outline of Barack Obama's plan for the arts.

Also if you haven't heard, Quincy Jones has started a petition to ask President-Obama to appoint a Secretary of the Arts. This would be a Cabinet-level position that would oversee several federal agencies including the NEA. While many other countries have Ministers of Art or Culture but the United States has never created such a position.

Elizabeth Blair from NPR discusses the Secretary of the Arts here.

What do you think? Do you think a Secretary of the Arts would benefit us or do you agree with David Smith?

Go here to sign the petition.

Shay Gines

Good news!

After the not-so good news our latest study found and being in the middle of an economic crisis and all, I thought we could use some good news...The IT Awards staff got this last night right before our staff meeting from John Chatterton: After announcing staff changes, he stated:

"There is no longer any need to pay membership dues. We shall give priority to reviewing shows by our members until the expiration dates of their memberships. During the next year we will switch over to a system in which the reviewers will review shows that interest them, culled from the listings on TheaterOnline. Shows not listed on TheaterOnline will not
be reviewed, and the only way to get a listing on TheaterOnline is to
post it yourself with the online tools provided on the Web site. I
shall assign actual stories and maintain editorial standards. Reviews will continue to be limited
to Off-Off-Broadway shows only, meaning Equity showcases in New York
City or non-union productions of equivalent resources and scope."

Well done, OOBR!

NYIT Awards UPDATE: showcase code & Spaces Report published

Our update went out this morning: sign up for it here if you're not on our list. Some highlights:
NYIT Awards present study findings to NYC's joint Theatre Task force

"A joint Theatre Task Force meeting with Community Boards 3, 4 & 5 was held on October 29th to discuss the role the cultural sector plays in the city and way in which it can expand. According to Paul Nagel, Arts and Culture Liaison for the New York City Council, 'arts and culture have a central role in business, education, community, and government, yet cultural policy in the United States has not moved beyond a 1970s model of allocating and distributing grants to not-for-profit organizations.'

At this meeting, The New York Innovative Theatre Foundation presented the findings from a 5-year study, "Report of Off-Off-Broadway Performance Venues," which analyzed data from September 2004 through the present."

Highlights of the report:

• Over 25% of OOB venues in both the West Village and Midtown area have either been demolished or re-purposed into non-performance spaces in the last 5 years
• 43% of all OOB venues are located in the West Side Midtown area of Manhattan
• There has been a sharp decline in the number of OOB productions presenting work in the Theatre District
• The East Village, which only accounts for 14% of the overall OOB venues, is currently presenting 30% of the OOB productions

Read the rest of Doug Strassler's story on our Space report & the Theatre Task force...

and Matt Freeman reported on the AEA Showcase updates:

"Short version: if we want to change the Showcase Code, we need members of the union to speak on their own behalf to the union, and ask for changes in the code that will allow smaller theaters to grow and provide better opportunities for actors. Playwrights, producers and directors may have opinions, but only the voices of actors will make this change happen."

Read his full story...

A big thank you to Doug, Matt, Emily and all of our contributors.

Piggybacking arts organizations?

According to the Chicago Tribune, New York isn't the only theatre scene with space issues.

Depressing? yah.

What interested me was the mention of the Children's Theatre that is piggybacking on a museum for their space. It didn't seem to be an ideal situation for them and I'm obviously not a fly on the wall at their board meetings, but I wonder why these organizations are working against each other?

Which makes me wonder: in hard economic times, is there a place in New York for larger non-theatre institutions to develop collaborative fellowships to emerging artists from different mediums that deal with the same issues? How much would you benefit from being able to develop and present a multimedia ensemble piece with the Museum of Photography, for example? Does this already exist somewhere?

AEA Showcase Code reform begins at home

In the spirit of change, community motivation and hard work ahead, I’m happy to spread the word that the AEA showcase code reform movement is again receiving attention. On Theatre and Politics has great information linked to his post regarding this issue.

The showcase code is being re-evaluated by Equity, and Michael Bell - a member of the AEA Off-Off Broadway subcommittee - has announced that he'd like to hear thoughts from code participants on how the AEA Showcase Code works (or doesn’t) for them.

If you've had experiences with the AEA Showcase Code, your voices are instrumental in moving this forward. Share your experiences and suggestions by emailing him or by commenting on his announcement.